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Studio work
Rigging, animation and development work I've done for studios over the years
2D Production rigging work
2d rigging client work
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Little Charlie - the series
turntable props rigging in Toonboom Harmony
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VICTOR VLEERMUIS - Officiële NL trailer
Victor Vleermuis is klein en lijkt op het eerste gezicht niet zo dapper. Hij worstelt met een, zeker voor vleermuizen, groot probleem: hij is bang in het donker. Zijn grote broers vinden hem maar vreemd. Ze snappen niks van zijn gevoeligheid en al helemaal niets van het feit dat hij graag zingt. Zingen is namelijk voor vogels en dat zijn hun gezworen vijanden Alles verandert als hij op een dag verliefd wordt op de tropische zangvogel Sherida. Victor zal al zijn moed moeten verzamelen om haar liefde voor zich te winnen én te gaan staan voor wie hij is. Vanaf 23 oktober in de bioscoop. Meer video's ► https://goo.gl/vvecWa Word abonnee! ► http://goo.gl/IkaLRo Website ► http://www.septemberfilm.nl/ Facebook ► https://www.facebook.com/septemberfilmnl Twitter ► https://twitter.com/septemberfilmnl ------------------------------------------- Respecteer elkaar a.u.b. in de reacties. Bedankt voor het delen en liken van onze video's! Het achterlaten van een reactie waarderen wij zeer. Dit is het officiële YouTube-kanaal van September Film Distribution. Hier vind je onze trailers, teasers en de nieuwste bioscoopfilms. Klik hier om abonnee te worden: http://goo.gl/IkaLRo
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TEASER - The adventures of Anansi the spider
De avonturen van Anansi de spin - Animation series. Client: Illuster B.V. Role: Lead rigging
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Woezel & Pip Op zoek naar de Sloddervos! Verkrijgbaar op DVD
Het is bijna groot feest in de Tovertuin, want de Wijze Varen wordt alweer een fraai jaar ouder. Woezel & Pip krijgen de belangrijke taak om het grote verjaardagscadeau te verstoppen, totdat de grote dag daar is. Tante Perenboom kondigt aan dat er een hele speciale gast komt logeren: het schattige neefje Charlie. Al snel ontdekken Woezel & Pip dat het cadeau en hun spullen zijn verdwenen! Wie heeft dat gedaan? De Wijze Varen weet het antwoord, maar of de vriendjes daar zo blij mee zijn? Woezel & Pip, Buurpoes, Molletje, Vlindertje en Charlie gaan in dit spannende avontuur op zoek naar de gevaarlijke indringer… ‘Woezel & Pip Op zoek naar de Sloddervos!’ is een vriendschapsfilm vol kleur, emotie en avontuur.
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Morphle and the Sea Treasure - Animations For Kids | My Magic Pet Morphle
In this compilation of the My Magic Pet Morphle cartoon My Red Crane, Morphle morphs into all sorts of things like a crane. vehicles, dinosaurs, animals and a robot. Subscribe to Morphle TV Here: https://www.youtube.com/user/MagicPetsSongs4Kids?sub_confirmation=1 Check out more from My Magic Pet Morphle: https://www.youtube.com/playlist?list=PLmwpvieHKxgFq02SdiE9QlKexrSZYQajA 'My Magic Pet Morphle' is an animated hit tv show for toddlers and older kids. But because of its fun colors and sounds, it is even popular with babies. Morphle can morph into anything his human companion Mila wants. From dinosaurs to cars, construction vehicles like diggers, dump trucks, and cranes to pets like cats dogs, and lions! All our episodes have an educational core to them so that your kids can learn about things like shapes, numbers, and colors. Website ► http://www.mymagicpetmorphle.com/ Facebook ► https://www.facebook.com/morphle/ Instagram ► https://www.instagram.com/morphletv/ #kids #cartoon #Morphle #MyMagicPetMorphle
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compilation Zac&Smart E
Interaction & coding
Interactive Content
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00:10
Storyscope
Interactive applications for the StoryScope, the modern Laterna Magica. Children and adults can experience how this ‘storytelling machine’ and bring their own stories to life. The StoryScope looks like a magical box. You move cubes over a luminous glass plate and bring silhouettes on the screen to life on the screen. The silhouettes and the backdrop are taken from the books of successful children's authors. And then children can draw their own figures or objects draw their own characters or objects and add them to the StoryScope. We have developed two versions: In the first, you play with the stories from the Monster Lake world by Flemish author Leo Timmers. In the second version, Bob Popcorn plays the leading role, a character taken from the books by illustrator Martijn van der Linden and the author Maranke Rinck. Client: Studio Interactive Culture for Flanders Literature and the Dutch Foundation for Literature.
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00:08
Bob Popcorn: Interactive children's book in the StoryScope
Interactive applications for the StoryScope, the modern Laterna Magica. Children and adults can experience how this ‘storytelling machine’ and bring their own stories to life. The StoryScope looks like a magical box. You move cubes over a luminous glass plate and bring silhouettes on the screen to life on the screen. The silhouettes and the backdrop are taken from the books of successful children's authors. And then children can draw their own figures or objects draw their own characters or objects and add them to the StoryScope. We have developed two versions: In the first, you play with the stories from the Monster Lake world by Flemish author Leo Timmers. In the second version, Bob Popcorn plays the leading role, a character taken from the books by illustrator Martijn van der Linden and the author Maranke Rinck. Client: Studio Interactive Culture for Flanders Literature and the Dutch Foundation for Literature. Animations by Danne Bakker https://cargocollective.com/brontomus/Contact
Other works
Independent work and collaborations
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01:19
Lord Of the Flies
Synopsis A little tree frog is after love, but mother nature designed him to be awkward in every way. This fast paced cartoon done with much eye for detail, refers with its 2D-ish cartoony movement to the good old times of animation, yet in a fresh and original mix. Project Overview This film is not a remake of William Golding's dystopian novel. It is something far more lighthearted as the title might suggest. I created this comic short about a little frog who is after love, to show my ambition as a 3d artist and character animator. While researching entertainment through movement in character animation, the emphasis of my animation came to be in the movement. In a production it is tempting to copy classic devices of cartoon movement without thinking about it, because there is simply no time, especially in small productions where visual design and soryboard seem to be most important. Therefore in my research, I analyzed different styles of movement from the Golden Age of American Animation, in order to better understand the classical approach to cartoon animation. Next to that I researched acting theory for animation and I conducted interviews with character animators. The best way to entertain through character, seems to be generating empathy for the character. This is what both Disney's treatment of story and Stanislavski's method acting boil down to. The more the animator is able to engage the audience in how a character feels, the more entertaining the short will become. Character animation at it's best, relies on stories with big emotional transitions. In the execution of these transitions, for instance from happy to sad, the animator can show original acting. Disney's animators developed subtle acting where many times it's best to not exaggerate the movement to much. In some memorable emotional scenes the accent of the movement is completely carried by what is called secondary action, such as subtle movements of the hands and facial expressions that coincide with the main movement of the body. This is in sharp contrast with the heavily exagerated character movement of Warner Brother's Looney Toons. Here exagerated comic timing and comic escalation where developed, together with the extreme deformations of characters for comic effect invented by Tex Avery. Graphical representation, metamorphosis and defying the physical rules of our universe for purposes of entertainment, were brought back from the beginning times of animation. In the movement style of Avery and Jones, the audience becomes again aware of the artificiality of the medium. For example by temporarily upholding the rules of gravity and disintegrating the body, for comic effect and to display emotion. This knowledge about entertainment in classical cartoon movement I used in my film in a number of ways. I added contrast and gave each character a distinct way of moving. Trough movement, the impulsive, hyperactive male frog should look as different as possible from the lazy, uninterested female. In the end of the short, right before the kiss, I gave the female some time to think, so we more get the feeling that she is a living human being who makes concious choices. The stretchy eyes and mouth of the frog refer to Avery's exageration, and were a challenge to rig and emulate in 3d animtion software. Overall, using CGI I wanted to bring a fresh and original take on recognizable and familiar cartoon principles.
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00:24
Motion Solver 3D Music Video
Produced by: https://www.motionsolver.com/ Software @blender.official
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00:17
First impressions of our experimental film!
Produced by: https://www.motionsolver.com/ Software @blender.official Music by: Rutger Muller
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00:07
2.5D animation technique demo
Demo rig made with our 2.5D system. Our system allows for perspective head and body turns, while remaining full control over the artistic hand-drawn quality of the animation.
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03:41
Myth of Fire
What made us different from the animals? According to the San people of South Africa, it was the light of fire. The Myth of Fire comes from the direct descendants of the first people. The film can be used for entertainment as well as educational purposes. Designed and Animated by Jeroen Koffeman Narrated by John Kayongo Voice Recording by Steve Denniss at Black Box Studios Educational Counseling by Roelof van den Bergh Egbert de Ruiter Additional Backgrounds by Cliff van Tillo Animated Sun by Witte van der Tempel Utrecht School of the Arts
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01:16
City dove
A short cartoon about the daily life of a pigeon.
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00:40
Funny Brexit Cartoon: How Britain departs from Europe.
A crazy animation about the UK going back to simpler times to make Britain great again. This is the short version. Rule Britannia! Britannia rules the waves. Never never never Britons shall be slaves... ...It's the actual text...
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00:18
SpaceX Falcon 9 Launch
SpaceX Launch, NASA, Elon Musk, ISS, Dragon, Falcon 9, I still love you, Rocket Launch, funny animation, funny cartoon, meme, 3d animation, blender
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01:40
in our hands
Client: Marjolijn Dijkman In Our Hands Commissioned for Global Imaginations, Museum De Lakenhal with the Leiden University, National Museum of World Cultures, and Leiden Global. De Meelfabriek, Leiden, NL Dancer: Geert Belpaeme Animation: Jeroen Koffeman Choreography advice: Charlotte Vanden Eynde Sound composition: Lieven Moors Duration film: 9:20 min. Duration Sound composition: 17:40 min.
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